In this article, we delve into the fascinating world of The Lady of the Camellias (1947 film), exploring its multiple facets, its impact on society, its evolution over time and its relevance in the current context. From its origins to the present, The Lady of the Camellias (1947 film) has played a fundamental role in various areas, generating debates, reflections and emotions among those who have experienced it. Through a detailed analysis, we will examine its influence on different cultures, its importance in history and its projection into the future. It doesn't matter if The Lady of the Camellias (1947 film) is a person, a topic, a date or any other element, because its meaning transcends borders and opens endless possibilities to understand its essence and its impact on the world around us.
The Lady of the Camellias | |
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Italian | La signora dalle camelie |
Directed by | Carmine Gallone |
Written by | Hamilton Benz Francesco Maria Piave (libretto) |
Produced by | Gregor Rabinovitch William A. Szekeley |
Starring |
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Cinematography | Arturo Gallea |
Edited by | Niccolò Lazzari |
Music by | Luigi Ricci Giuseppe Verdi |
Production company | Grandi Film Storici Cinopera |
Distributed by | Columbia Pictures (US) |
Release date |
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Running time | 82 minutes |
Country | Italy |
Language | Italian |
The Lady of the Camellias (Italian: La signora dalle camelie) is a 1947 Italian musical drama film directed by Carmine Gallone and starring Nelly Corradi, Gino Mattera and Manfredi Polverosi. It is an adaptation of the 1853 opera La traviata by Giuseppe Verdi. In 1948 it was released in America by Columbia Pictures under the title The Lost One.
The film's sets were designed by the art director Gastone Medin. Costume design was by Georges Annenkov.