In today's world, Malpertuis has become a topic of great relevance and interest at a global level. From its origins to its impact on contemporary society, Malpertuis has played a fundamental role in various aspects of daily life. Whether through its influence on popular culture, its contribution to technological advancement, or its significance in history, Malpertuis has generated a vast field of study and research that continues to fascinate experts and hobbyists alike. In this article, we will explore the multiple facets of Malpertuis, analyzing its importance and scope in different areas, to fully understand its significance in today's world.
Malpertuis (1943) is a gothic horror novel by the Belgian author Jean Ray (1887–1964).
Malpertuis is a crumbling, ancient house where a dying warlock has trapped the aging gods of Olympus inside the "skins" of ordinary Flemish citizens.
The novel is divided into four narratives:
During 1971 the Belgian director Harry Kümel made a film adaptation of the novel, starring Orson Welles, Susan Hampshire and Mathieu Carrière.
Malpertuis is quoted in Ross J. Anderson's paper "Do you believe in Tinker Bell? The social externalities of trust", quoting (translated): "Men are not born of the whim or will of the gods, on the contrary, gods owe their existence to the belief of men. Should this belief wither, the gods will die."
A copy of the novel is prominently displayed on the coffee table of Haydée (Haydée Politoff) in Eric Rohmer's 1967 film La Collectionneuse.