Kèn bầu

In this article we are going to address the topic of Kèn bầu, which has gained great relevance in recent years due to its impact on various areas of society. From its origins to its current implications, Kèn bầu has captured the attention of experts, scholars and the general public, generating debates, reflections and analysis from different perspectives. Along these lines we will explore the multiple facets of Kèn bầu, from its influence on politics, economy, culture, to its effect on people's daily lives. In this way, we will delve into a topic of universal interest that invites us to reflect and dialogue in search of a greater understanding about Kèn bầu and its impact on the contemporary world.

A kèn bầu

The kèn bầu (Vietnamese: [kɛ̂n ɓə̂w]) is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. It is similar in construction and sound to the Chinese suona and the Korean taepyeongso. It comes in various sizes and is a primary instrument of the music of the former royal court music of Huế.

Construction

The instrument has a conical hardwood body with seven finger holes. Unlike its Chinese and Korean counterparts, the kèn bầu has a detachable bell made of jackfruit wood, carved in the shape of a gourd (originally it was probably made out of an actual dried gourd, but wood is more durable). Into the playing end is fitted a small brass tube onto which a small double reed is placed. This type of musical instrument are quite familiar in Asia, the Indian analogy being Shehnai.

Playing

Kèn bầu (far left) in a Vietnamese traditional funeral

The instrument's technique involves the use of circular breathing as well as a wide variety of ornamentation including wide vibrato and sliding tones.

Etymology

Kèn means oboe and bầu means gourd, referring to the instrument's bell. The Vietnamese monochord zither called đàn bầu, which also formerly had a gourd as part of its construction, shares the use of this word in its name.

Performers

One of the most prominent kèn bầu players is Trần Thảo, who leads the nhã nhạc (royal music) group of Hue and has toured internationally. He is part of a hereditary lineage of court musicians.

References

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