In today's world, Farciot Edouart has become a recurring topic that covers various areas of interest. From politics to technology, culture and society in general, Farciot Edouart has captured the attention of millions of people around the world. Its importance and relevance cannot be underestimated, and its impact is felt at all levels of society. In this article, we will explore different aspects of Farciot Edouart, from its origin to its influence on people's daily lives. We will analyze its evolution over time and examine its implications for the future.
Film artist and innovator (1894-1980)
Farciot Edouart, ASC (born Alexander Farciot Edouart; November 5, 1884 – March 17, 1980) was a film special-effects artist and innovator perhaps best known for his work with process photography, also known as rear projection.
Edouart was born in Northern California. His father was a portrait photographer. He began working as a cameraman while still a teenager at the production company of Hobart Bosworth.
By way of mergers and acquisitions, Edouart became an employee of Paramount Pictures, where he began to specialize on optical effects in the mid-1920s. He worked for Paramount until his department was abruptly closed in 1967. He worked on approximately 350 films, and his final film was Rosemary's Baby (1968). Edouart won a total of ten Academy Awards: two competitive (1942 and 1943), seven technical and scientific awards (1938, 1940, two in 1944 and 1948 and two in 1956) and an honorary award for special effects (1939). Leonard Maltin wrote: "The master of process-screen photography is Farciot Edouart."