Detonography

This article will address the topic of Detonography from different perspectives and approaches, with the aim of providing a holistic and complete vision of this topic. Various aspects related to Detonography will be analyzed, providing detailed and updated information that allows the reader to fully understand its importance and relevance in the current context. Likewise, different studies, research and expert opinions on Detonography will be examined, in order to offer a comprehensive and enriching vision that contributes to the knowledge and understanding of this topic. Throughout the article, specific aspects of Detonography will be delved into, highlighting its impact in different areas and its influence on current society.

Detonography is a method for sculpting metal with plastic or other explosives. Essentially a form of giant printmaking, with the explosive acting as the stamping press, it was created by Evelyn Rosenberg in 1986 with the help of the engineers of New Mexico Institute of Mining and Technology in Socorro, New Mexico. The process can create complex surfaces with delicate etched designs, even welding dissimilar metals. The results are lightweight, durable indoor and out, and relatively Vandalproof. This process essentially embosses the metal, but with a raised image instead of a depressed one.

Rosenberg has produced more than 40 detonographic works for public buildings around the United States and abroad.

See also

References

  1. ^ Abatemarco, Michael (October 11, 2013). "Incendiary art: Evelyn Rosenberg's detonography". santafenewmexican.com. Retrieved 12 June 2017.

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