Dead White Males (play)

In this article we will address the topic of Dead White Males (play), which has raised interest and debate in different areas. Since its emergence, Dead White Males (play) has captured the attention of experts and fans alike, generating a wide variety of opinions and viewpoints. Over the years, Dead White Males (play) has evolved and acquired a prominent place in today's society, influencing different aspects of daily life. In this article, we will analyze in depth the different aspects related to Dead White Males (play), as well as its impact in different areas. Furthermore, we will focus on the possible future implications of Dead White Males (play) and the perspectives it offers for the future.

Dead White Males
Written byDavid Williamson
Date premiered1995
Original languageEnglish

Dead White Males is a 1995 play by David Williamson. It was written in response to an academic paper on post-structuralism that Williamson found incomprehensible. The appearance of William Shakespeare features as a motif throughout the play.

Background

Williamson later recalled he was inspired by listening to an academic at a writers conference on whom he based Dr Grant Swain:

got up and told us in a very condescending way that we were all idiot savants, that we didn't know what we were writing, the ideological currents of the time just passed through us and we channelled this ideological content and out it came. But he sort of patted us all on the head and said, 'But keep writing, we'll tell you what you've done.' And I've never seen a room full of angrier writers, and I said, 'I've got to get this guy.' And that was the motivation for...and I still think it's one of my favourite bits of work because I do think a lot of post-modern and post-structuralist theory is frankly bullshit. It's the idea that there is no truth and that anyone's truth is as good as anyone else's truth and that we're totally constructed by words, there's no reality out there aside from words...give us a break! It's absolute crap. What I said in the play, it's a third truth elevated to a total truth, which often happens in the case of ideology. There's no doubt that ideology is created to distort reality in favour of the group or the people in the group whose power will be enhanced by adopting this ideology.

Reception

The play was very successful, grossing $1.2 million it its initial season.

References

  1. ^ Keith Windschuttle "The Value of Literature", Introduction to Dead White Males, by David Williamson, Currency Press, Sydney 1995 Archived 2013-04-27 at the Wayback Machine accessed 4 November 2012
  2. ^ Holland, Peter (2005). Shakespeare Survey: Volume 58, Writing about Shakespeare. Cambridge University Press. p. 153. ISBN 9780521850742. Retrieved 13 December 2017.
  3. ^ "David Williamson in Conversation". ABC Radio National. 25 July 2006.
  4. ^ Cochrane, Peter (14 March 1997). "Williamson's World". The Sydney Morning Herald. p. 15.