Colorist (music)

In this article, we are going to explore and analyze Colorist (music) in detail. We will learn more about its importance, its influence on our lives and how it has developed over time. Colorist (music) is a fascinating topic that has captured the attention and interest of many people throughout history. Through this article, we will seek to better understand Colorist (music) and its impact on our society. Likewise, we will examine the different perspectives and opinions on Colorist (music), with the aim of providing a complete and detailed view on this topic. Get ready to immerse yourself in the world of Colorist (music) and discover everything it has to offer!

The Colorists (German: Koloristen) were a group of sixteenth-century German organ composers that heavily ornamented their compositions following Italian coloraturas and other figures. Among others, the colorists include Sebastian Virdung, Arnolt Schlick, Elias Nikolaus Ammerbach, Paul Hofhaimer, Bernhard Schmid the Elder, Bernhard Schmid the Younger, Jacob Paix, Conrad Paumann, and Johann Woltz. The term was originally a derogatory designation applied by August Gottfried Ritter (1811–1885), and they were accused of having "overindulge in the use of splashy and meaningless coloratura passages."

References

  1. ^ Randel, Don Michael. 2003. The Harvard Dictionary of Music. 4th ed. Cambridge, MA: Harvard University Press, p. 191.
  2. ^ Ritter, Johann Gottfried. 1884. Zur Geschichte Des Orgelspiels: Vornehmlich Des Deutschen, Im 14. Bis Zum Anfange Des 18. Jahrhunderts. Leipzig.
  3. ^ Hoelty-Nickel, Theodore. 1944. The Musical Heritage of the Church, vol. 5. Valparaiso, IN: Valparaiso University, p. 44

Further reading

Apel, Willi. The History of Keyboard Music to 1700. Bloomington, IN: Indiana University Press, 1972, pp. 246ff.