Clementine Hall

Today, Clementine Hall is one of the most relevant and discussed topics in various areas. Its impact is reflected in society, the economy, politics and culture. With the advancement of technology and globalization, Clementine Hall has gained greater importance and has generated endless debates and research. From different perspectives, we seek to understand and analyze its influence in today's world. Given this scenario, it is essential to explore the multiple dimensions that Clementine Hall encompasses, as well as its implications at a global and local level. In this article, we will delve into the fascinating universe of Clementine Hall, to understand its complexity and its relevance today.

President Obama escorted through the Clementine Hall after his meeting with Pope Benedict XVI.

The Clementine Hall, called the Sala Clementina (The Clementine Salon) is a hall of the Apostolic Palace near St. Peter's Basilica in Vatican City. It was established in the 16th century by Pope Clement VIII in honor of Pope Clement I, the third successor of St. Peter. The Clementine Hall is covered in Renaissance frescoes and valuable works of art. It is used by the pope as a reception room and in some cases, site of various ceremonies and rituals. The Clementine Hall is the chamber in which the body of the pope lies for private visitation by officials of the Vatican upon death, like that most recently of the funeral of Pope John Paul II. The pope's body is then traditionally moved from the Clementine Hall and ceremonially carried across St. Peter's Square to St. Peter's Basilica or the Basilica of San Giovanni in Laterano.

Frescos

Over the doors appears the fresco "The Martyrdom of St. Clement" by the Dutch painter Paul Bril. On the opposite wall appear the frescos "The Baptism of St. Clement" by Italian painters Cherubino Alberti and Baldassare Croce, and an "Allegory of Art and Science" by Giovanni and Cherubino Alberti. The frieze on the side walls depict allegories of the cardinal virtues by Alberti and Croce and the theological virtues, on the opposite wall, by the same artists. On the ceiling is “The Apotheosis of St. Clement" by Giovanni Alberti.

References

  • Pietrangelli, Carlo, Paintings in the Vatican, ISBN 0-8212-2316-X